Various Artists
Morvern Callar
A soundtrack for the hedonist, Ibiza-bound female protagonist of Scottish writer
Alan Warner's cult-favorite Morvern Callar and Lynne Ramsay's (Ratcatcher) faithful
film transfer of said book, little in the way of Warp Records-style electronic
music is found here. Ramsay herself notes in a Guardian interview that the selections
were intended to match up with her cinematic, atmospheric style, and that is
pretty much what is found here: from Stereolab's childish ba-ba loopings, Lee
'Scratch' Perry's smoked-out dub, Holger Czukay and Can's sleazy disco lounge,
and a Nancy Sinatra and Lee Hazelwood duet of 60s psychedelic pop cheese, it
is almost a repackaging of sound, a compression of these other cultures into
a pale ersatz for hipsters too bothered to experience their own lives.
Beyond
the irony of Warp's involvement here, that Morvern's girlfriend never shows much
of an emotional response to her situation seems disturbing in its own right,
and makes this soundtrack a creepy, soulless collection of music — as if
by giving a record label your cash you get fourteen bits of surrogate human feelings
in return. It begs the question about the social contract made when listening
to film soundtracks in general, for that matter. Indeed, closing with Aphex Twin's
clockwork Nannou underscores the main problem: any time we want, we can wind
up our hero and reminisce watching her go through the motions by popping this
into the CD player. Not only by repackaging culture into something 'hip' what
does this make us by paying for and consuming it, as well? I'm not sure I much
like the answer.
last
updated
June 14, 2003

