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TERRY ADKINS, WILLIAM BANFIELD, THELMA GOLDEN, GUTHRIE RAMSEY, TIMOTHY ROMMEN
Terry Adkins
is Associate Professor of Fine Arts at the University of Pennsylvania. Adkins' exhibitions have been displayed at The Institute of Contemporary Art, P.P.O.W. Gallery, The Indianapolis Museum of Art and The Whitney Museum of American Art at Phillip Morris. His current solo exhibition for the Center for Africana Studies' 30th Anniversary celebration, Darkwater: Recital in Four Dominions, Terry Adkins After W.E. B. DuBois, opens in December at the Arthur Ross Gallery, University of Pennsylvania.
William C. Banfield
is the Endowed Chair in the Humanities and Fine Arts and Director of the American Cultural Studies Program at St. Thomas University. He has published numerous articles and essays dealing with the documentation and role of black American artists. His book, Musical Landscapes in Color: Conversations With Black American Composers, is due January 2003.
Thelma Golden
is the Deputy Director for Exhibitions and Programs at the Studio Museum in Harlem and an adjunct professor at the School of the Arts at Columbia University. She lectures and writes about contemporary art, cultural issues, and the curatorial practice. At The Whitney Museum of American Art at Phillip Morris, Ms. Golden organized projects with artists including Alison Saar, Glenn Ligon, Romare Bearden, and Jacob Lawrence.
Guthrie P. Ramsey
is Assistant Professor of Music at the University of Pennsylvania. He specializes in African American and American Music, cultural studies, popular music, film studies, and historiography. Ramsey lectures widely and has published numerous articles in the Black Music Research Journal, Musical Quarterly, American Quarterly, and The Black Scholar. His latest book, Race Music: Migration, Modernism and Gender Politics in Black Popular Culture, is forthcoming in 2003.
Timothy Rommen
is Assistant Professor of Music at the University of Pennsylvania and specializes in Caribbean Music. His research interests include folk and popular sacred music, critical theory, and the intellectual history of ethnomusicology. Professor Rommen's articles and reviews appear in the Black Music Research Journal, the Journal of Religion, The Yearbook for Traditional Music, and The International Dictionary of Black Composers.
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