Timothy Rommen specializes in the music of the Caribbean with research interests that include folk and popular sacred music, popular music, critical theory, ethics, diaspora, and the intellectual history of ethnomusicology. His first book, entitled "Mek Some Noise": Gospel Music and the Ethics of Style in Trinidad (University of California Press, 2007), was awarded the Alan P. Merriam Prize by the Society for Ethnomusicology in 2008. His most recent book is entitled “Funky Nassau”: Roots, Routes, and Representation in Bahamian Popular Music (University of California Press, 2011). He is a contributing author to and editor of Excursions in World Music, and a contributor to the Cambridge History of World Music (forthcoming). His articles and reviews appear in Ethnomusicology, Popular Music, the Black Music Research Journal, the Latin American Music Review, The World of Music, The New West Indian Guide, the Journal of Religion, the Journal of the Royal Anthropological Institute, The Yearbook for Traditional Music, the Journal of Anthropological Research, the International Dictionary of Black Composers, and the Encyclopedia of Popular Music of the World. His current projects include an edited collection, in collaboration with Dan Neely, entitled Sun, Sound, and Sand: Reflections on Music Touristics in the Circum-Caribbean; and a musical ethnography of Dominica.