Julie Nelson Davis

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Associate Professor of History of Art, Acting Undergraduate Chair
307 Jaffe Building
215/ 898-3247

Julie Nelson Davis teaches the arts of East Asia from 1600 to the present, with a focus on Japan. Professor Davis received her B.A. from Reed College, studied in Japan as a Monbushō fellow at the Osaka University of Foreign Languages and at Gakushūin University, and completed her Ph.D at the University of Washington.

Professor Davis has held the Abe Yoshishige Fellowship at Gakushūin University and the Robert and Lisa Sainsbury Fellowship at the Sainsbury Institute for the Study of Japanese Arts and Cultures. Her research has been further supported by the Weiler Family Dean’s Leave, the University Research Foundation, the Northeast Asia Council of the Association for Asian Studies, the Penn Humanities Forum, and the Center for East Asian Studies, among others. Davis also received the Trustees' Council of Penn Women's 25th Anniversary Award for Excellence in Advising in 2012 and was the Kyoto Consortium for Japanese Studies Visiting Professor in Autumn 2014. She is the Director of the newly formed Center for the Integrated Study of Japan here at Penn.

Research Interests: 

Professor Davis’s research focuses on Ukiyo-e, the “images of the floating world,” and the arts of the Tokugawa period (1615-1868).  Her most recent book, Partners in Print: Artistic Networks and the Ukiyo-e Market, was published by the University of Hawai’i Press in January 2015. Her next book, Ukiyo-e in Context, is under advance contract.

Professor Davis is the co-founder, with her colleague Dr. Linda Chance of the Department of East Asian Languages and Cultures, of the Penn Faculty Working Group for Reading Asian Manuscripts (RAMS), in support of the study of premodern Japanese orthography (hentaigana and kuzushiji). Davis and Chance have organized several workshops to teach the art of reading premodern Japanese script with colleague Dr. Laura Moretti from the University of Cambridge. For an article about their project, see “Japan-RAMS Scholars at Penn ‘Cracking Code’ of Early Modern Japanese Manuscripts,” http://www.upenn.edu/pennnews/news/japan-rams-scholars-penn-cracking-cod...

Davis is also supervising the online exhibition and catalogue for the Pulverer Collection of Japanese Illustrated Books the Freer/Sackler, the Smithsonian’s Museums of Asian Art. For more on this project, see: http://www.asia.si.edu/research/curatorial/pulverer.asp For the online catalogue, see: http://pulverer.si.edu/


Previous publications include Partners in Print: Artistic Collaboration and the Ukiyo-e Market (2015); Utamaro and the Spectacle of Beauty (Reaktion Books and the University of Hawai’i Press, 2007); an essay on Utamaro’s Poem of the Pillow in What Makes a Masterpiece? (2010); a study of the influential ukiyo-e publisher, Tsutaya Jûzaburô in Designed for Pleasure: The World of Edo Japan in Prints and Paintings, 1680 – 1860 (Asia Society, 2008); an analysis of a painting by Teisai Hokuba in the Japanese art history journal, Kokka (2007), an overview essay on Utamaro and his contemporaries in The Hotei Encyclopedia of Japanese Woodblock Prints (Hotei Books, 2005), and an article on Utamaro and the status of the ukiyo-e artist in the anthology The Artist as Professional in Japan (Stanford University Press, 2004), among others. 

Special projects at Penn have included co-curating A Sense of Place: Modern Japanese Prints (2015) and Dramatic Impressions: Japanese Theatre Prints from the Gilbert Luber Collection (2006), both at the Arthur Ross Gallery in 2006.

Courses Taught: 

ARTH 103 & EALC 013: East Asian Arts and Civilizations

ARTH 213/613 & EALC 157: Arts of Japan

ARTH 258/658: Early Modern Japanese Arts and the City of Edo

ARTH 290/690 & FILM 223: Post-war Japanese Cinema and Visual Culture

ARTH 315: Undergraduate Seminar in East Asian Art

ARTH 515: Proseminar in East Asian Art

ARTH 713: Graduate Seminar in East Asian Art