Research
Interests:
My research
focuses on the intersection of gender, performance,
and politics, as well as on Japanese cultural history
of the late 19th to early 20th century. My first book
focused on the first generation of actresses in modern
Japanese theater. I am currently writing a book about
Japanese feminist debates from the 1890s to present.
Future projects include a cross-cultural analysis of
the medieval Japanese noh theater, as well as a book
on film actresses and female spectatorship.
Selected Publications:
Acting
Like a Woman in Modern Japan: Theater, Gender, and Nationalism
(New York: Palgrave, 2001).
“Towards
a Critique of Transhistorical Femininity,” Gendering
Modern Japanese History, ed.Barbara Molony and Kathleeen
Uno (Cambridge: Harvard University Asia Center, Harvard
University Press, 2005): pp. 520-554.
“Women?
Art? Gender? Chino Kaori and the Feminist Art History
Debates,” in Review of Japanese Culture and
Society, vol. 15 (December 2003): pp. 25-38.
“Visuality
and Gender in Modern Japanese Theater: Looking at Salome,”
in Japan Forum, special issue on modern Japanese
visual culture, vol. 11 no. 1 (1999): pp. 43-55.
“Japanese
Theater and Imperialism: Romance and Resistance,”
in U.S.-Japan Women’s Journal, English
version, no. 12 (1997): pp. 17-47.
“Nihon
no 1970nendai-90nendai feminizumu”[Japanese
feminism in the 1970s-1990s], Feminizumu no meicho
50 [Fifty feminist masterpieces], ed. Ehara Yumiko
and Kanai Yoshiko (Tokyo: Heibonsha, 2002): pp. 501-518.
“Nihon
Feminizumu Ronsoshi 1: Bosei to Sekushuariti”
[Japanese feminist debates 1: motherhood and sexuality],
in Wadomappu Feminizumu [Wordmap feminism],
ed. Ehara Yumiko and Kanai Yoshiko (Tokyo: Shinyosha,
1997): pp. 196-221.
Affiliations:
Faculty Advisory
Board for Women's Studies Program; Theater Arts Program.
Graduate Groups in Comparative Literature and Literary
Theory; Folklore and Folklife; History.
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