Professor of German
Simon Richter is Professor of Germanic Languages and Literatures and member of the Graduate Groups in Comparative Literature and Religious Studies and affiliated with the Programs in Cinema Studies, Environmental Humanities, and Women’s Studies. Courses he has recently taught include: “Water Worlds: Cultural Responses to Sea Level Rise and Catastrophic Flooding”; "Writing in Dark Times"; “The German Connection: Hollywood and Berlin"; "Erinnerungsorte/Places of Memory"; and "Weimar Classicism." Richter also directs a hybrid online/study abroad course called "Comparative Cultures of Sustainability in Germany and the Netherlands," which involves an intensive study visit to Berlin and Rotterdam. Click here for a short video about the program.
Women, Pleasure, Film: What Lolas Want, a "pleasure-driven" typology of the Lola film from Marlene Dietrich to Franka Potente and beyond, is Richter's most recent book. (Click here for an article about Richter's book.) Other books include Missing the Breast: Gender, Fantasy and the Body in the German Enlightenment and Laocoon's Body and the Aesthetics of Pain. His 1996 article on "The Ins and Outs of Intimacy: Gender, Epistolary Culture, and the Public Sphere" won the Max Kade Prize for Best Article in the German Quarterly. Unwrapping Goethe's Weimar: Essays in Cultural Studies and Local Knowledge (co-edited with Susanne Kord and Burkhard Henke) appeared in late 1999 in conjunction with the 250th anniversary of Goethe's birth. Richter also edited volume seven of the Camden House History of German Literature, The Literature of Weimar Classicism (2005). A brief version of his introduction to this volume is accessible online in The Literary Encyclopedia. Camden House published Goethe's Ghosts: Reading and the Persistence of Literature, a festschrift for the esteemed Goethe scholar Jane Brown, co-edited with Richard Block, also in 2013. He has published articles in the areas of history of medicine, gay and lesbian studies, gender studies, film studies, aesthetics, opera and literature, German foodways, cinema studies, cultural studies, environmental humanities, Nazi-era and postwar literature, and on authors such as Sophie von La Roche, Theresa Huber, Caroline von Wolzogen, Sophie Mereau, Winckelmann, Lessing, Heinse, Herder, Goethe, Moritz, Schiller, Wilhelm von Humboldt, Hegel, Eichendorff, Habermas, Max Frisch, Fritz von Unruh, Gerard Reve, Boudewijn Büch and Rammstein.
Richter is currently engaged in four long-term research projects, as always, linked to his teaching.
- The Strange Afterlife of William of Orange and Philipp II: History, Allegory and Critique in German Literature 1933-1953. This is a study of a small surge of publications about the Eighty Years War occasioned by the coincidence of the 400th anniversary of the birthday of Orange with Hitler’s seizing power in 1933. Historical novels, biographies, and plays by authors from across the political spectrum shed new light on German-Dutch relations.
- The Impropriety of Goethe: Case Studies in the Aesthetics of Adulation. In this book project, Richter explores our current fastidiousness about large claims made on behalf of aesthetics by focusing on cases of exorbitant response to Goethe's person and works. Manifestations of such impropriety include the obsessive collection of Goetheana by William Speck, the esoteric interpretation of Goethe by Rudolf Steiner and the Anthroposophists, encounters with Goethe in Nazi concentration camps, an Italian modernist obsession with Goethe in the works of Pirandello and Busoni, and the cult of Goethe among German Jews around 1900, not to mention the extreme responses of some of Goethe's contemporaries: Karl Philipp Moritz, Bettina von Arnim, and Carl Gustav Carus.
- The Languages of Sustainability. Proceeding on the assumption that sustainability is always actualized in a cultural and linguistic context, this collaborative project aims to gather cultural information about the linguistic and cultural translation (i.e., cultural implementation) of sustainability in the nations, regions, and languages of the world. This approach takes into account the fact that sustainability and sustainable development were first called onto the world scene by the publication of the UN-sponsored Brundtland Report on Our Common Future in 1987. In every nation and language party to the efforts of the World Commission on Environment and Development it was necessary to translate the terms. Since for most world languages there is no literal antecedent to the term, the idea of sustainability is typically conveyed by a neologism. Reconstructing the path to the neologism (etymology, connotations, tone, etc) as well as the course of its adoption in the target language is instructive for assessing how individual nations are responding culturally to the UN mandate.
Richter is an enthusiastic undergraduate and graduate teacher. He was awarded the Ira H. Abrams Memorial Award for Distinguished Teaching in 2008. In summer 2005 and 2006 he initiated and directed “The Graduate School Experience,” a program designed to give a select group of rising juniors from colleges and universities a foretaste of graduate studies in German. This program was cosponsored by the DAAD and the Max Kade Foundation and continues in rotation among a handful of universities. Richter is the past president of the Goethe Society of North America, a lively organization that prides itself in cultivating younger generations of Goethe scholars, and former editor of the Goethe Yearbook. He serves on the editorial board of the Periodical of the English Goethe Society and has served on the editorial board of German Quarterly, Eighteenth-Century Studies, and The Journal of the History of Sexuality. He is also a member of the editorial board of the book series of the Goethe Society of North America published by Bucknell University Press.
Richter speaks Dutch and has projects in the area of Dutch colonialism in Indonesia, a study of the author and Goethe aficionado Boudewijn Büch, and on the recently assassinated filmmaker Theo van Gogh. In his spare time, Richter hones his cooking skills and improves on an ever more elaborate rijsttafel (an extravagant Indonesian spread).
18th-century literature, gender studies, cultural studies, cinema studies, history of the body, environmental humanities, 20th-century history novel, Dutch literature and culture
Member of Graduate Groups in Comparative Literature and Religious Studies, Affiliate Faculty Member in Cinema Studies and Women's Studies