| 2012 |
Lauren Jennings
laurenje@sas.upenn.edu |
Tracing Voices: Song as Literature in
Late Medieval Italy |
University of Southern California, Post-doctoral fellow. |
| 2012 |
Ian MacMillen
imacmill@oberlin.edu |
Tambura Music Across Geographic and
Ethnic Divides in Croatia and Its Intimates |
Visiting Assistant Professor of Russian and East European Studies and OCREECAS Postdoctoral Fellow at Oberlin College. |
| 2012 |
Matthew Valnes
valnes@sas.upenn.edu |
"We Getting Funky on the Scene":
Improvisation and Live Performance in Funk Music |
Independent Scholar |
| 2012 |
Emily Zazulia
ecz6@pitt.edu |
Verbal Canons and Notational Complexity
in Fifteenth-Century Music |
Assistant Professor, Universiyt of Pittsburgh |
| 2011 |
Jennifer Kyker
Jennifer.kyker@rochester.edu |
A Person Among Others: Music, Morality,
and Postcolonial Politics in the Songs of Oliver Mtukudzi |
Assistant Professor of Ethnomusicology, joint appointment at Eastman School of Music and the University of Rochester. |
| 2011 |
Darien Lamen
darien.lamen@gmail.com |
Mobilizing Regionalism at Land's End:
Popular Electric Guitar Music and the Caribbeanization of
the Brazilian Amazon |
University of Wisconsin Madison, Mellon New Faculty Fellow Assistant Professor |
| 2011 |
Diedre Loughridge
dloughridge@berkeley.edu
|
Technologies of the Invisible: Optical
Instruments and Musical Romanticism |
Mellon Post-doctoral Fellow of the Humanities, University of California, Berkeley |
| 2011 |
John Meyers
johnpaulmeyers@gmail.com
|
"Rock and Roll Never Forgets": Memory,
History, and Performance in the Tribute Band Scene |
Independent Scholar |
| 2011 |
Elizabeth Mellon
elizabeth-mellon@uiowa.edu
|
Inscribing Sound: Medieval Remakings of
Boethius's De Institutione Musica |
Visiting Assistant Professor, University of Iowa |
| 2011 |
Peter Mondelli
mondelli@sas.upenn.edu |
From Voice to Text: Parisian Opera and
Material Culture, 1790-1870 |
University of North Texas, Assistant Professor |
| 2011 |
Andayai Qaasim
qaasim@gmail.com |
We Come from Mars: Negotiating Metis
Identity in Marseillais Hip-Hop |
independent Scholar |
| 2010 |
Hilary Baker
hxb17@psu.edu |
Stage(d) Communities: Representations of
New York, Sexuality, and (Auto)Biography in Contemporary,
American Musical Theater . |
Lecturer, Penn State Erie
|
| 2010 |
Roger Grant
grantrm@umich.edu |
Four Hundred Years of Meter: Theories,
Ideologies, and Technologies of Musical Periodicity Since
1611.
|
Assistant Professor of Music and Fellow, Society of Fellows, University of Michigan |
| 2010 |
Anna Grau
annagrau@sas.upenn.edu |
Representation and Resistance: Female
Vocality in Thireenth-Century France. |
Lecturer,
DePaul University |
| 2010 |
Gavin Steingo
gsteingo@gmail.com |
After Apartheid: Kwaito Music and the Aesthetics of Freedom. |
University of Pittsburgh, Assistant Professor |
| 2008 |
Charles Carson
ccarson@udel.edu |
"Broad and Market: At the Crossroads of Race and Class in Philadelphia jazz, 1956-1980 |
Assistant Professor, University of Texas, Austin |
| 2008 |
Catherine Chamblee
|
"Cognitive processes of Improvisation: Performers and Listeners in the Organ Tradition and Contemporary Gospel Styles |
Independent Scholar |
| 2008 |
Monique Ingalls
mmi23@cam.ac.uk
|
" Awesome in this Place": Sound, Space, and Identity in Contemporary North American Evangelical Worship |
Postdoctoral Fellow in Popular Music & Culture, University of Cambridge
|
| 2008 |
Michael Masci
masci@geneseo.edu
|
"The Deduction of the Voice: toward a Non-cognitive Account of Music Judgment |
Visiting Assistant Professor of Music
SUNY Geneseo
|
| 2008 |
Jennifer Noakes
jennie.noakes@gmail.com |
"From the Top of the Mountain": Traditional Music and the Politics of Place in the Central Appalachian Coalfields |
University of Pennsylvania
Critical Writing Fellow |
| 2008 |
Gregory Robinson
grobins8@gmu.edu |
"Entre Gauchos No Hay Fronteras": Traditional Music and the Post-Frontier in Chilean Patagonia |
George Mason University
Assistant Professor of Ethnomusicology |
| 2008 |
Jennifer Ryan
jryan6@indstate.edu |
"Can I Get a Witness?: Soul and Salvation in Memphis Music |
Indiana State Univeristy,
Assistant Professor,
Department of African and African American Studies |
| 2008 |
Katherine Thomas
|
Hollywood Blackface and its Descendents: Negotiating Race and Difference through Performance of the Other in Hollywood Musicals |
Independent Scholar |
| 2007 |
Laura Silverberg
lsilverberg@wisc.edu |
"The East German Sonderweg to Modern Music, 1956-1971." |
Associate Director of the Center for Jewish Studies, University of Wisconsin-Madison |
| 2007 |
Jennifer Saltzstein
jennifersaltzstein@ou.edu
|
"Wandering voices: Refrain Citation in Thirteenth-Century French Music and Poetry." |
Assistant Professor, University of Oklahoma |
| 2007 |
Lucy Shanno
lucyminettshanno@hotmail.com |
Dissertation Title: Composing with Recording in Mind: An
Analytic Approach
|
Independent Scholar |
| 2006 |
Marie Jorritsma
marie.jorritsma@wits.ac.az |
"Sonic Spaces: Inscribing “Coloured” Voices in the Karoo, South Africa" |
Senior Lecturer, University of Witwatersrand |
| 2006 |
Ruth Rosenberg
rrose76@uic.edu |
"Eloquence and Encounter: Corsican Female Lament in Performance and Imagination" |
Assistant Professor,
College of Architecture and the Arts
|
| 2006 |
Party, Daniel
dparty@uc.cl |
"Bolero and Balada As The Guilty Pleasures Of Latin American Pop" |
Associate Professor, Universidad Católica de Chile |
| 2005 |
Patricia Schmidt
schmidtpl@hotmail.com |
"Thinking Inside the Box: In Search of Music-Video Culture" |
Assistant Professor, University of Surrey |
| 2004 |
|
"To Bebop or to Be Pop: Sarah Vaughan and the Politics of Crossover" |
Editor, Earshot Jazz ,
Seattle, WA |
| 2004 |
|
"The Sounds of Liberty: Nostalgia, Masculinity, and Whiteness in Philadelphia Barbershop, 1900-2003" |
Assistant Professor, Arizona State University |
| 2004 |
|
"British Jazz Voices: Crossing Borders of Race, Nation, and Class" |
Assistant Professor, Royal College of Music |
| 2004 |
|
"Music, Language, and the Tone Poem: Interpreting Richard Strauss's Tod und Verklärung, Op. 24" |
Associate Professor, Grinnell College |
| 2004 |
Whang, Carol
|
"Re-Defining Relationships: Modeling in Four Imitation Masses by Palestrina" |
Independent Scholar |
| 2003 |
Macklem, Mary
macklem@gwu.edu |
"Reforming Opera and Its Public in Early Modern Venice" |
Adjunct Professor,George Washington University |
| 2003 |
|
"Mythologies of Musical Persuasion: The Power and Politics of Song in France, 1653-1673" |
Independent Scholar |
| 2002 |
|
"The Three-Voice Chansons of Johannes Ockeghem and Antoine Busnoys: Approaches to Form, Process, and Musical Structure in the Chanson ca. 1470" |
Independent Scholar |
| 2002 |
|
"Sounding Savagery: Native American Song and the Frontiers of Early Modern Music" |
Assistant Professor, UCLA |
| 2001 |
|
"Seventh-Fire Children: Gender, Embodiment, and Musical Performances of Decolonization by Anishinaabe Youth" |
Associate Professor, The College of St. Scholastica |
| 2001 |
|
"Music and Embodied Imagining: Metaphor and Metonymy in Western Art Music" |
Independent Scholar |
| 2001 |
|
"Orchestral Extraliteracy and the Foundations of American Musicology" |
Associate Professor, California State University Fullerton. Laura Lohman's book forthcoming http://www.upne.com/0-8195-7071-0.html
|
| 2001 |
|
"Moving to Music: A Theory of Sound and Physical Action" |
Assistant Professor, George Washington University |
2000
|
Theresa, Rose
rose.theresa@title9music.org |
"Spectacle and Enchantment: Envisioning Opera in Late Nineteenth-century Paris" |
Visiting Lecturer, UC Berkeley
Professor of Music History, San Francisco Conservatory of Music |
2000
|
Rozin, Alexander
arozin@wcupa.edu |
"The Intensity of Musical Affect: A Model of Experience and Memory" |
Associate Professor, West Chester University
|
2000
|
Zukowski, Sheryl
|
"Creating the Modernist Self: Gustav Mahler and Fin-de-siècle Performance" |
Independent Scholar |
2000
|
Butterfield, Matthew
matthew.butterfield@fandm.edu |
"Jazz analysis and the production of musical community: a situational perspective " |
Assistant Professor, Franklin and Marshall College
|
1999
|
Buenconsejo, José
|
"Songs and gifts at the colonial frontier: the aesthetics of Agusan Manobo spirit-possession ritual, Philippines" |
Dean of the College of Music, University of the Philippines, Diliman
|
1999
|
Hoyt, Peter |
"The 'False Recapitulation' and the Conventions of Sonata Form" |
Assistant Professor,University of South Carolina, Columbia |
1999
|
Kang, YouYoung
ykang@scrippscollege.edu |
"The Art of Counterpoint in Stile nuovo Sacred Polyphony in seventeenth-century Italy" |
Associate Professor, Scripps College
|
1999
|
Lee-De Amici, Beth
blee1891@yahoo.com |
"Ad sustentacionem fidei christiani: sacred music and ceremony in medieval Oxford" |
Visiting Assistant Professor, University of Southern California
|
1998
|
Clark, Maribeth
mclark@ncf.edu |
"Understanding French Grand Opera Through Dance " |
Associate Professor and Associate Provost, New College of Florida
|
1998
|
Gordon, Bonnie
bsg6v@virginia.edu
|
"Singing the female body: Monteverdi, subjectivity, sensuality" |
Associate Professor,
University of Virginia
|
1997
|
Cramer, Alfred
acramer@pomona.edu |
"Music for the future : sounds of early-twentieth-century psychology and language in works of Schoenberg, Webern, and Berg, 1908 to the first world war" |
Associate Professor, Pomona College
|
1996
|
Buhler, James
jbuhler@mail.utexas.edu
http://www.utexas.edu/ |
"Informal Music Analysis: A Critique of Formalism, Semiology, and Narratology as Discourses on Music" |
Associate Professor, University of Texas
|
1996
|
Caballero, Carlo
carlo.caballero@colorado.edu |
"Fauré and French Musical Aesthetics" |
Associate Professor, University of Colorado
|
1996
|
Taggart, Bruce
taggartb@msu.edu |
"Rhythmic Perception and Conception: A Study of Bottom-Up and Top-Down Interaction in Rhythm and Meter" |
Associate Director, Michigan State University Community Music School
|
1996
|
Whitehead, Paul
whitehead@itu.edu.tr |
"Austro-German Printed Sources of Instrumental Ensemble Music, 1630 to 1700" |
Assistant Professor, Istanbul Technical University
|
1995
|
Korstvedt, Benjamin
bkorstvedt@clarku.edu |
"The First Edition of Anton Bruckner's Fourth Symphony: Authorship, Production and Reception" |
Assistant Professor, Clark College
|
1995
|
Pederson, Sanna
spederson@ou.edu |
"Enlightened and Romantic German Music Criticism, 1800-1850" |
Marvin C. Pitman Professo of Music, University of Oklahoma, Norman
|
1992
|
Sipe, Thomas
|
"Interpreting Beethoven: History, Aesthetics, and Critical Reception" |
Independent Scholar |
1992
|
Solvik, Morten
|
"Culture and the Creative Imagination: The Genesis of Gustav Mahler's Third Symphony" |
Hochschule Fuer Musik, Vienna |
1991
|
Brobeck, John
brobeck@u.arizona.edu |
"The Motet at the Court of Francis I" |
Professor, University of California, Irvine
|
1991
|
Eitan, Zohar
zeitan@post.tau.ac.il |
"Style and Gesture: A Study of Melodic Peaks" |
Senior Lecturer, Tel Aviv University
|
1990
|
Holzer, Robert
robert.holzer@yale.edu |
"Music and Poetry in seventeenth-century Rome: Settings of the Canzonetta and Cantata texts of Francesco Balducci, Domenico Benigni, Francesco Melosio, and Antonio Abati" |
Associate Professor, Yale University
|
1990
|
London, Justin M.
jlondon@carleton.edu
http://www.acad.carleton.edu/ |
"The Interaction Between Meter and Phrase Beginnings and Endings in the Mature Instrumental Music of Haydn and Mozart" |
Professor, Carleton College
|
1989
|
Adams, Nancy
|
"Elektra as Opera and Drama" |
Librarian, Eastern Baptist Seminary
|
1989
|
Frigyesi, Judit
frigyesi@mail.biu.ac.il |
"Béla Bartók and Hungarian Nationalism: The Development of Bartok's Social and Political Ideas at the turn of the Century (1899-1903)" |
Associate Professor, Bar-Ilan University
|
1989
|
Laki, Peter
plaki@clevelandorchestra.com |
"Madrigals of Giambattista Marino and their Settings for Solo Voice (1602-1640)" |
Program Annotator, Cleveland Orchestra
|
1988
|
Carpenter, Ellon
ellon.carpenter@asu.Edu |
"Theory of Music in Russia and the Soviet Union, ca. 1650-1950" |
Associate Professor, Arizona State University
|
1988
|
Fromson, Michele Yvonne
|
"Imitation and Innovation in the North-Italian motet, 1560-1605" |
Independent Scholar |
1988
|
Girdham, Jane
jgirdham@svsu.edu |
"Stephen Storace and the English Opera Tradition of the late eighteenth century" |
Associate Professor, Saginaw Valley State University
|
1987
|
Bullard, Beth
bbullard@gmu.edu
bullardb@dickinson.edu |
"Musical Instruments in the early sixteenth century: A Translation and Historical Study of Sebastian Virdung's Musica Getutscht (Basel, 1511)" |
Assistant Professor, George Mason University
|
1987
|
Feldman, Martha
rore@uchicago.edu |
"Venice and the Madrigal in the mid-sixteenth century" |
Mabel Greene Myers Professor of Music
and the Humanities in the College
Chair, Department of Music |
1987
|
Freedman, Richard
rfreedma@haverford.edu
http://www.haverford.edu/ |
"Music, Musicians, and the House of Lorraine during the first half of the sixteenth century " |
Professor, Haverford College
|
1986
|
Taricani, JoAnn
taricani@u.washington.edu |
"Chansonnier from a Library in Renaissance Augsburg: Munich, Bayerische, Staatsbibliothek, Mus. Ms. 1508" |
Associate Professor, University of Washington
|
1986
|
Winters, Thomas
twinters@wcupa.edu |
"Additive and Repetitive Techniques in the Experimental Works of Charles Ives" |
Associate Professor, West Chester University
|
1985
|
Balthazar, Scott
sbalthazar@wcupa.edu |
"Evolving Conventions in Italian Serious Opera: Scene Structure in the Works of Rossini, Bellini, Donizetti, and Verdi, 1810-1850" |
Associate Professor, West Chester University
|
1985
|
Fisher, Stephen
DocSFisher@aol.com |
"Haydn's Overtures and their Adaptations as Concert Orchestral Works" |
Independent Scholar |
1984
|
Brodbeck, David
dbrod@uci.edu |
"Brahms as Editor and Composer: His Two Editions of Landler by Schubert and His First Two Cycles of Waltzes, Opera 39 and 52" |
Professor, University of California Irvine |
1984
|
Gjerdingen, Robert
r-gjerdingen@northwestern.edu |
"Musical Schema: Structure and Style Change, 1720-1900" |
Associate Professor, Northwestern University
|
1984
|
Platoff, John
john.platoff@trincoll.edu |
"Music and Drama in the Opera Buffa Finale: Mozart and his Contemporaries in Vienna, 1781-1790" |
Professor, Trinity College
|
1983
|
Hopkins, Robert
rhopkins@hamilton.edu |
"Secondary parameters and closure in the symphonies of Gustav Mahler" |
Associate Professor, Hamilton College
|
1980
|
Ayyangar, Ranganayaki
|
"Gamaka and Vadanabheda, a study of Somanatha's ragavibodha in historical and practical context" |
Reader in Musicology (Retired), Banaras Hindu University |
1979
|
Hoyt, Reed
rhoyt@sarah.albany.edu |
"Bassline in tonal music: its relationship to melodic and harmonic structure" |
Associate Professor, State University of New York at Albany
|
1979
|
Stempel, Larry
|
"Diabolus-in-symmetry: rotational uniformity in the harmony of 19th- and 20th-century music" |
Professor, Fordham University
|
1979
|
Stern, Marion Goertzel
|
"Keyboard quartets and quintets published in London, 1756-75: a contribution to the history of chamber music with obbligato keyboard" |
|
1978
|
Langford, Jeffrey
jlangford@msmnyc.edu
msmberlioz@aol.com |
"Operas of Hector Berlioz: Their Relationship to the French Operatic Tradition of the Early Nineteenth Century" |
Professor, Manhattan School of Music
|
1977
|
Murphy, Joseph
|
"Communions of the Old Roman Chant" |
|
1976
|
Bellak, Richard Charles
|
"Compositional technique in the transcriptions of Franz Liszt" |
|
1976
|
Leininger, George W.
|
"Odes of Henry Purcell: A Stylistic study" |
|
1974
|
Adams, Courtney S.
|
"Three-part chanson during the sixteenth century: Changes in its style and importance" |
deceased
|
1974
|
Diehl, George K.
|
"Partbooks of a renaissance merchant: Cambrai: Bibliotheque municipale, MSS125-128" |
Emeritus Professor, LaSalle University
|
1972
|
Bloom, Peter
pbloom@smith.edu |
"Francois-Joseph Fetis and the Revue musicale (1827-1835)" |
Professor, Smith College
|
1971
|
Hirshberg, Jehoash
msmus@panda.mscc.huji.ac.il |
"Music of the Late Fourteenth-Century: A Study in Musical Style" |
Professor, Hebrew University, Jerusalem
|
1968
|
Brennan, Allen John.
|
"Music in the Catholic Church in Philadelphia, 1800-1835" |
|
1966
|
McDermott, Joseph Vincent
|
"Articulation of musical space in the twentieth century" |
|
1966
|
Suderburg, Robert
|
"Tonal cohesion in Schoenberg's twelve-tone music" |
|
1963
|
Meyer, Eve Rose
|
"Florian Gassmann and the Viennese divertimento" |
Emeritus Professor, Temple University
|
1959
|
Flindell, Edwin Frederick
|
"Achievements of the Notre Dame school" |
|
1959
|
Rotondi, Joseph
|
"Literary and musical aspects of Roman opera, 1600-1650" |
|
1958
|
Eldridge, Muriel Tilden
|
"Thomas Campion, 1567-1620: his poetry and music, a study in relationships" |
|
1958
|
Morgan, Catharine
|
"Bach fugue, a study in antecedents" |
|
1957
|
Colucci, Matthew
|
"Comparative study of contemporary musical theories in selected writings of Piston, Krenek and Hindemith" |
Emeritus Professor, Temple University
|
1955
|
Klitenic, Zelik
|
"Clavecin works of Jean-Philippe Rameau" |
|
1950
|
Bethel, Walter LeRoy
|
"Burgundian chanson (1400-1477), A study in musical style" |
|
1948
|
Scott, Jesse Lewis
|
"Developing a high school program of music" |
|
1944
|
Michell, Joyce
|
"Symbolism in music and poetry " |
|
1940
|
Gerson, Robert A.
|
"Music in Philadelphia" |
|
Undergraduate Studies
