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Friday, April 11
Location: Penn Humanities Forum
12.00 - 12.45
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Registration
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INTRODUCTION
| 1.00 - 2.00 |
Nicholas Mathew (University of California, Berkeley), Emily Dolan (Penn, Music), “Herderian Musical Dialogs” |
Panel 1: HERDER AND SENSATION
Chair: Liliane Weissberg (Penn, German/Cultural Studies)
2.00 - 2.40
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Thomas Patteson (Penn: Music), "Wirkungen, nicht Werke: The Musical Aesthetics and Influence of Herder's Kalligone"
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2.40 - 3.20
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Angelica Nuzzo (Brooklyn College/CUNY), “’… After all, can anyone say what tones mean to express?’ – Herder’s ‘Aesthetics of Hearing’”
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3.40 - 4.20
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Adelheid Voskuhl (Harvard University), “Music and Mechanics in Herder's Response to the German Enlightenment”
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4.20 - 5.00
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Chase Richards (Penn, History), “Feeling in the distance”: Herder’s phantasmatic public, 1758-69”
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Location: Rare Books Library
Chair: Gary Tomlinson (Penn, Music)
KEYNOTE LECTURE
5.30
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Lydia Goehr (Columbia University), “’Must my skin be made the prize? This for a silly pipe?’: Wind and strings in the education of humanity"
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Herderian Texts: An Exhibit of Books in the Lea Library
CONCERT
7.30 - 8.30
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"A Herderian Salon: Keyboard and Vocal Music of the Late 18th Century"
Emily Green and Sezi Seskir, fortepiano
Roger Grant, CJ Jones, Ian MacMillen, Peter Mondelli, and Emily Zazulia, voice
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Saturday, April 12
Location: Penn Humanities Forum
Panel 2: HERDER AND THE IDEA OF VOLKSLIEDER
Chair: Catriona MacLeod (Penn, German)
9.00 - 9.40
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Matthew Head (King’s College London), “Die Fischerinn (1782) by Goethe, Herder and Corona Schröter: Death, Authorship and Volkslieder in Weimar”
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9.40 - 10.20
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Amanda Glauert, (Royal Academy of Music), “Realizing the Lyric Chain: Musical Responses to Herder's Views on Song”
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10.40 - 11.20
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Matthew Gelbart (Harvard University), “What Herder Didn’t Do For Folk Music”
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11.20 - 12.00
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Peter Mondelli (Penn, Music), "Singing Print, Reading Song: Navigating Voice and Writing in Herder's Volkslieder"
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Location: Penn Humanities Forum
Chair: Tim Rommen (Penn, Music)
KEYNOTE LECTURE
1.00
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Philip Bohlman (University of Chicago): "Herder Contra Herder, or the Polymath in Spite of Himself"
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Location: Penn Humanities Forum
Panel 3: HERDERiAN CROSSINGS
Chair: John Tresch (Penn, History and Sociology of Science)
3.00 - 3.40
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Annette Richards (Cornell University), "Pictures and Dreams: The Visual and the Virtual in Herder's Musical Circle"
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3.40 - 4.20
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Gavin Steingo (Penn, Music), “Border Crossings: Music, Sound, and Jews in Kant and Herder.”
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4.40 - 5.20
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Mary Beth Wetli (Case Western Reserve), “Creating ‘Historical Illusion’: Schiller’s Reception of Herder’s Dramatized History”
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5.20 - 6.00
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Stephen Rumph (University of Washington), “Herder Reading Kant Reading Music”
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CONCERT
6.30
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"Keyboard Music of Beethoven"
Emily Green, Sezi Seskir, fortepiano
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8.30
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Dinner for Conference Participants
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Sunday, April 13
Location: Penn Humanities Forum
Panel 4: HERDER AND POETICS
Chair: Dan Ben-Amos (Penn, Folklore)
9.00 - 9.40
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Kristin Gjesdal (Temple University), “Individuality and Genius: A Herderian Reconstruction”
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9.40 - 10.20
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Simon Richter (Penn, German), “Thrown by Poetry: Herder's Essay on Ossian and the Volkslied (1773)”
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10.40 - 11.20
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Katrin Kohl (Oxford University), “The Role of Music in Herder's Poetics”
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11.20 - 12.00
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Paul Guyer (Penn, Philosophy), “Herder, Lessing, and the Energy of Poetry”
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