When honoring him with its Goddard Lieberson Fellowship, the American Academy of Arts and Letters noted that "A rare economy of means and a strain of religious mysticism distinguish the music of James Primosch... Through articulate, transparent textures, he creates a wide range of musical emotion." Andrew Porter stated in The New Yorker that Primosch "scores with a sure, light hand" and critics for the New York Times, the Chicago Sun-Times, the Philadelphia Inquirer, and the Dallas Morning News have characterized his music as "impressive", "striking", "grandly romantic", "stunning" and "very approachable".
Primosch’s compositional voice encompasses a broad range of expressive types. His music can be intensely lyrical, as in the song cycle Holy the Firm (composed for Dawn Upshaw) or dazzlingly angular as in Secret Geometry for piano and electronic sound. His affection for jazz is reflected in works like the Piano Quintet, while his work as a church musician informs the many pieces in his catalog based on sacred songs or religious texts.
Born in Cleveland, Ohio in 1956, James Primosch studied at Cleveland State University, the University of Pennsylvania, and Columbia University. He counts Mario Davidovsky, George Crumb and Richard Wernick among his principal teachers.
Primosch's instrumental, vocal, and electronic works have been performed throughout the United States and in Europe by such ensembles as the Los Angeles Philharmonic, the St. Paul Chamber Orchestra, Collage, the New York New Music Ensemble, and the Twentieth Century Consort. His Icons was played at the ISCM/League of Composers World Music Days in Hong Kong, and Dawn Upshaw included a song by Primosch in her Carnegie Hall recital debut. Commissioned works by Primosch have been premiered by the Chicago Symphony, the Albany Symphony, Speculum Musicae, the Cantata Singers, and pianist Lambert Orkis. A second Chicago Symphony commission was premiered in 2009. He is presently at work on a consortium commission for twelve pianists from across the United States.
Among the honors he has received are a grant from the National Endowment for the Arts, a Guggenheim Fellowship, three prizes from the American Academy of Arts and Letters, a Regional Artists Fellowship to the American Academy in Rome, a Pew Fellowship in the Arts, the Stoeger Prize of the Chamber Music Society of Lincoln Center, and a fellowship to the Tanglewood Music Center where he studied with John Harbison. Organizations commissioning Primosch include the Koussevitzky and Fromm Foundations, the Mendelssohn Club of Philadelphia, the Folger Consort, the Philadelphia Chamber Music Society, the Barlow Endowment, and the Network for New Music. In 1994 he served as composer-in-residence at the Marlboro Music Festival. Recordings of twelve compositions by Primosch have appeared on the Albany, Azica, Bard, Bridge, CRI, Centaur, Innova, and New World labels, with new discs of vocal and choral works planned.
James Primosch is also active as a pianist, particularly in the realm of contemporary music. He was a prizewinner at the Gaudeamus Interpreters Competition in Rotterdam, and appears on recordings for New World, CRI, the Smithsonian Collection (re-released on Innova), and Crystal Records. He has worked as a jazz pianist and a liturgical musician.
Since 1988 he has served on the faculty of the University of Pennsylvania, where he directs the Presser Electronic Music Studio.
consortium commission for 12 American pianists
work for flute and piano, commissioned by Philadelphia Chamber Music Society
Luminism (Albany Symphony commission) 2010
Songs for Adam (Chicago Symphony commission) 2009
From a Book of Hours (Chicago Symphony commission) 2001
Forms of Light (Big Ten wind ensembles commission) 2005
Holy the Firm (Barlow Foundation commission) 1999
Sacra Conversazione (Fromm Foundation commission) 1994
String Quartet #2 (after Zurbaran) (Cleveland Museum of Art commission) 1991
All works published by Theodore Presser Co.
Times Like These
Jean Kopperud, clarinet; Stephen Gosling, piano
released August, 2010
Lambert Orkis, piano and synthesizer.
Network for New Music
Quartet #2, Fantasy-Variations, Piano Quintet, Icons
New World Records
Cavani Quartet, Leonardo Trio, Jean Kopperud, Aleck Karis, James Primosch
Music Theory I (MUSC070)
Music Theory II (MUSC071)
Music Theory III (MUSC170)
Electronic Music (MUSC530)
Analysis of Twentieth Century Music I (MUSC515)
Analysis of Twentieth Century Music II (MUSC516)
Seminar in Composition (MUSC700)