- About Us
- News & Events
- Faculty & Research
- Degrees & Programs
- Supporting SAS
Frontiers - Art
Professor of Music Emma Dillon discusses a lost, but not forgotten, musical style.Blake Cole
It’s not a musical genre you’re likely to find on the Billboard top 100, but the motet, a centuries-old form known for interweaving voices, was instrumental in changing the way audiences interacted with music...
Senior Lecturer and director of the Theatre Arts Program Rosemary Malague investigates women and the claim to authenticity in the acting classroom.Charlene Kwon
In the world of acting, few can make it through their first script without learning the family of acting techniques termed “the Method.” According to Senior Lecturer and director of the Theatre Arts Program at Penn and author of the book An Actress Prepares: Women and “the Method” Rosemary Malague, “the Method” is an approach to acting that directly descends from Konstantin Stanislavsky’s “System.”
Doctoral student Beth Blum examines a new take on the self-help genre.Blake Cole
You’ll find it near the back of most bookstores: the section promising to cure your blues or, if you’re already of the sunny disposition, help you craft a gourmet meal. Self-help books claim to offer up solutions to even the most obscure problems...
Film expert Karen Beckman helps bring animation to the forefront of cinema studies.Blake Cole
"I’m particularly interested in contemporary artists who have decided to use animation as a vehicle through which to respond to the wars in Iraq and Afghanistan. This is a practice that I think is a real departure from the kind of responses that we saw to the Vietnam War, and even to the first Gulf War, where artists tended to use a lot more documentary photographic images and video footage."
Guthrie P. Ramsey, Jr. echoes the past in his latest musical projects.Rachel Witte
February has been a busy month for Edmund J. and Louise W. Kahn Term Professor of Music Guthrie P. Ramsey, Jr.
Paul Hendrickson explores Ernest Hemingway’s softer side.Blake Cole
If you could meet one person, past or present, who would it be? For those so literarily inclined, Ernest Hemingway would likely be a common choice.
Peter Decherney, Associate Professor of English and Cinema Studies, asks whether Congressional copyright law stifles the Arts.Opinion by Peter Decherney
In 1994’s Uruguay Round Agreements Act (URAA), Congress restored the copyrights of potentially millions of non-U.S. works that had fallen into the public domain. Some of these works are by well-known artists, authors, and composers, including Picasso, Virginia Woolf, and Shostakovich. The majority, however, are by obscure and even amateur creators.
Religious studies professor Jamal Elias explores the culture of truck decoration in Pakistan.Priya Ratneshwar
New Penn Humanities Forum programming explores the topic of adaptation.Priya Ratneshwar
A century-and-a-half ago, Charles Darwin established adaptation as the central focus of evolutionary biology. But for contemporary scholars, says James English, Professor of English, the concept’s relevance extends far beyond the sciences.
Grad student Jason Zuzga explores how art and science come together in molecular animations.Priya Ratneshwar
Although they portray the wild, blockbuster nature documentaries such as March of the Penguins and Planet Earth rely heavily on techniques of craft. These can range from attributing human characteristics to “charismatic megafauna” (attractive animals with popular appeal, like panda bears and elephants) to the use of emotive soundtracks.
School of Arts & Sciences Office of Advancement
If you would like to contact someone about this or any other issue of Frontiers, please email: