I am interested in human vision, machine vision, and computational modeling of visual processing. My primary research is concerned with how the visual system estimates object properties from the information available in the light signal incident at the eye. To study this general problem, I conduct psychophysical experiments to investigate questions such as how object color appearance is related to object surface properties under a wide range of illumination conditions and how color is used to identify objects. In addition, I am interested in developing machine visual systems that can mimic human...
Professor of Psychology
Lecturer, Interdisciplinary Studies
Matt Freedman is a sculptor, graphic artist, performer, writer and curator with a background in cartooning and anthropology. His current work explores the consequences when DIY versions of modern spectacles revive half-remembered cultural myths. Solo exhibition venues include Pierogi Gallery (Brooklyn), vertexList (Brooklyn), Flipside (Brooklyn), FiveMyles (Brooklyn), and SculptureCenter (New York).
Visual Studies Program Director
Gary Hatfield (PhD, University of Wisconsin–Madison) taught at Harvard and Johns Hopkins before coming to Penn in 1987. He works in the History of Modern Philosphy, the philisophy of psychology, theories of vision, and the philosophy of science. He is a member of the Institute for Research in Cognitive Science, the Center for Cognitive Neuroscience, the Penn Perception group, and the History and Sociology of Science Graduate Group. He has long been fascintaed by visual perception and the mind–body problem.
College of Women Class of 1963 Professor
Renata Holod is Professor, and Curator in the Near East Section, Museum of Archaeology and Anthropology. She received her BA in Islamic Studies from the University of Toronto, MA in the History of Art from University of Michigan and Ph.D. in Fine Arts from Harvard University. Professor Holod has served as Convenor, Steering Committee Member, and Master Jury Chair of the Aga Khan Award for Architecture.
Adjunct Professor in Fine Arts
Sharka Hyland teaches courses on typography and visual communication, as well as visual studies. She has received awards from the American Association of Museums, American Federation of Arts, and American Institute of Graphic Arts. Her text-based drawings have been exhibited in solo and group shows, most recently at Gallery Joe in Philadelphia and at Josee Bienvenu Gallery in New York.
Professor of the History of Art
Michael Leja (Ph.D., Harvard) is a Professor in the History of Art and the Visual Studies Program Director. Professor Leja studies the visual arts in various media (painting, sculpture, film, photography, prints, illustrations) in the 19th and 20th centuries, primarily in the United States. His work is interdisciplinary and strives to understand visual artifacts in relation to contemporary cultural, social, political, and intellectual developments. He is especially interested in examining the interactions between works of art and particular audiences...
Professor and Director of the Fine Arts Undergraduate Program
Lum is concerned with the dialectics of the private and public construction of identity, space and politics. He is well-known as a conceptual artist for his work in photography and sculpture addressing the public realm. Major art exhibitions, including the Sao Paulo Art Bienal, Sydney Biennale, Venice Biennale, the 2000 Shanghai Biennale, the 2002 Documenta XI in Kassel, Germany, the 2006 Liverpool Biennial, the 2007 Istanbul Biennial, the 2008 Gwangju Biennale in South Korea, Moscow Biennale 2011, and the Whitney Biennial 2014.
Senior Lecturer, Photography
Gabriel Martinez, a Cuban-American visual artist originally from Miami, Florida, works largely with photography, performance and installation. Martinez was a Pew Fellowship in the Arts recipient in 2001 and was granted a Joan Mitchell Foundation Fellowship in 2003. He has received two Individual Artists Grants from the Pennsylvania Council on the Arts.
Matt Neff’s work is concerned with historical and current negotiations of power and privilege with regard to race, gender, and class, both as an observer of others, and in terms of his own processes and relationships to these dynamics. This process, which occurs on both levels of consciousness and dissociation, offers a fragile impermanence to the work. Formally, he is interested in a lack of image, anti-icons, and, much like semantic satiation, the repeated and shifting use of common materials like sugar, graphite, air, and ash evoke visual mystery and a visceral reaction to and curiosity about objects and images.
Bok Family Professor in the Humanities
Holly Pittman has excavated in Cyprus, Turkey, Syria, Iraq and Iran and has had primary publication responsibilities of the art and especially the glyptic art from the sites of Malyan in the Fars province of Iran; Uruk period Tell Brak; and Uruk period Hacienbi Tepe. She co-curated the traveling exhibition of the "Treasures from the Royal Tombs of Ur" from the University Museum. Her current research interests revolve around the excavations of the sites of Konar Sandal South and North in the region of Jiroft in south-central Iran. Dr.