"Marketing Rossini: Sei lettere di Troupenas ad Artaria," Bollettino del centro rossiniano di studi, anno 1980, numero 1-3, pp. 41-63.

"Chopin in the Marketplace: Aspects of the International Music Publishing Industry in the First Half of the Nineteenth Century," Notes 39 (1983): 535-69; 795-824.

"Compatibility in Chopin's Multipartite Publications," Journal of Musicology 2 (1983): 391-417.

"Chopin's Last Style," Journal of the American Musicological Society 38 (1985): 264-315.

"O klasyfikacji rękopisów Chopina" ("On the classification of Chopin's manuscripts"), Rocznik Chopinowski 17 (1985): 63-96.

"The Problem of Repetition and Return in Chopin's Mazurkas," Chopin Studies, ed. Jim Samson (Cambridge: Cambridge University Press, 1988), pp.1-23.

"Ostatnia przemiana stylu Chopina" [Polish translation of "Chopin's Last Style"], Rocznik Chopinowski 18 (1986): 17-61.

"Czy warianty są problemem? `Intencje kompozytorskie’ w edytorstwie dzieł Chopina," Rocznik Chopinowski 19 (1987): 199-210.

"Are Variants a Problem? `Composer's Intentions’ in Editing Chopin," Chopin Studies 3 (Warsaw, 1990), pp. 257-67.

"The Rhetoric of Genre: Chopin’s Nocturne in G Minor," 19^th-Century Music 11 (1988): 238-61.

"Understanding Genre: A Reinterpretation of the Early Piano Nocturne," Atti del XIV Congresso della Società Internazionale di Musicologia, Bologna 1987, 3 vols. (Turin, 1990), 3: 775-79.

"Hearing Poland: Chopin and Nationalism," Piano Music in the Nineteenth Century, ed. R. Larry Todd (New York: Schirmer Books, 1990), pp. 221-57.

"Small `Forms’: In Defence of the Prelude," Cambridge Companion to Chopin, ed. Jim Samson (Cambridge: Cambridge University Press, 1992), pp. 124-44; 310-14.

"The Harmony of the Tea Table: Gender and Ideology in the Piano Nocturne," Representations, no. 39 (Summer 1992): 102-33.

"Small Fairy Voices: Sex, History, and Meaning in Chopin," Chopin Studies 2, ed. John Rink and Jim Samson (Cambridge: Cambridge University Press,1994): 50-71.

"Nocturnal Thoughts on Impromptu," Musical Quarterly 81 (1997): 199-203.

“`Voice’ and the Nocturne,” Pianist, Scholar, Connoisseur: Essays for Jacob Lateiner, ed. Bruce Brubaker and Jane Gottlieb (Stuyvesant: Pendragon Press, 2000), pp. 1-46.

“Gender,” The New Grove Dictionary of Music and Musicians, 2d ed., (London:Macmillan, 2001), vol. 9, pp. 645-47.

“Sex, Sexuality,” The New Grove Dictionary of Music and Musicians, 2d ed., (London: Macmillan, 2001), vol. 23, pp. 178-80.

“Chopin and the Aesthetic of the Sketch: A New Prelude in E flat Minor?” Early Music 29 (2001): 408-22.

“Chopin’s March, Chopin’s Death,” 19^th-Century Music 25 (2001): 3-26.

"Chez Chopin: New Light on the Soirée of 13 December 1836," Muzyka w kontekście kultury: Studia dedykowane Profesorowi MieczysławowiTomaszewskiemu w osiemdziesięciolecie urodzin, ed. Małgorzata Janicka-Słysz, Teresa Malecka, and Krzysztof Szwajger (Cracow: Akademia Muzyczna, 2001), pp. 91-94.

“Chopin, Rellstab, and the Immorality of Innovation,” Chopin 1849/1999: Aspekte der Rezeptions- und Interpretationsgeschichte, ed. Andreas Ballstaedt (Schliengen, Germany: Edition Argus, 2003), pp. 183-96.

"Sibelius, Skogsrået, and the History of Sexuality," Sibelius Forum II, ed. Matti

Huttunen, Kari Kilpeläinen, and Veijo Murtomäki (Helsinki: Sibelius Academy, 2003), pp. 430-37.

"Arabian Nights: Chopin and Orientalism," Chopin and his Work in the Context of Culture, ed. Irena Poniatowska, 2 vols. (Cracow: Musica Iagellonica, 2003), 1: 171-183.

"Finnish Modern: Love, Sex, and Style in Sibelius's Songs," Cambridge Companion to Sibelius, ed. Daniel Grimley (Cambridge: Cambridge University Press, 2004), pp. 117-136.

"Sex, Sexuality, and Schubert's Piano Music," Historical Musicology: Sources, Methods, Interpretations, ed. Stephen A. Crist and Roberta Montemorra Marvin (Rochester: University of Rochester Press, 2004), pp. 219-231.

“Con duolo: On Chopin’s Soul,” Chopin in Performance: History, Theory, Practice (Warsaw: Narodowy Institytut Fryderyka Chopina, 2005), pp. 79-96.

"Chopin's Errors," La note bleue: Mélanges offerts au Professeur Jean-Jacques Eigeldinger, ed. Jacqueline Waeber (Bern: Peter Lang, 2006), pp. 11-34.

"Peeping at Pachyderms: Convergences of Sex and Music in France around 1800," Studies in Ottocento Opera, ed. Roberta Montemorra Marvin and Hilary Poriss (in press).