general editor (with Anthony Newcomb and Ruth Solie), New Perspectives in
Music History and Criticism, Cambridge University Press.
1: Embodied Voices: Representing Female Vocality in Western Culture, ed. Leslie C. Dunn and Nancy A. Jones, 1994.
2: Downing A. Thomas, Music and the Origins of Language: Theories from the French Enlightenment, 1995.
3: Thomas S. Grey, Wagner's Musical Prose: Texts and Contexts, 1995.
4: Daniel K. L. Chua, Absolute Music and the Construction of Meaning, 1999.
5: Adam Krims, Rap Music and the Poetics of Identity, 2000.
6: Annette Richards, The Free Fantasia and the Musical Picturesque, 2001.
7: Richard Will, The Characteristic Symphony in the Age of Haydn and Beethoven, 2002
8: Christopher Morris, Reading Opera Between the Lines: Orchestral Interludes and Cultural Meaning from Wagner to Berg, 2002.
9: Emma Dillon, Medieval Music-Making and the 'Roman de Fauvel', 2002.
10: David G. Yearsley, Bach and the Meanings of Counterpoint, 2002.
11: Alexander Rehding, Hugo Riemann and the Birth of Modern Musical Thought, 2003.
12: David Metzer, Quotation and Cultural Meaning in Twentieth-Century Music, 2003.
13: David Gooley, Virtuoso Liszt, 2004.
14: Bonnie Gordon, Monteverdi’s Unruly Women: The Power of Song in Early Modern Italy, 2004.