The interior contains a colonnade of the triclinium type, used
in the palaces of Herod the Great of Judea. The lack of a doorwall in the
first phase, unusual to a temple—a taboo space—resembles similar types
of Hellenistic triclinia (assembly halls) and the early basilica at Pompeii.
Perhaps, both the cult and the Nabataean king were housed under the same
roof. It is one of the mysteries in the archaeology of Petra. With the
current information as it stands, we cannot know if the Great Temple was
a temple or a palace or both, as the seat of a deified king.
During the second major construction phase (iIllustrated above), a small
theater (odeion?), with a seating capacity of approximately 600
persons, was built inside the "cella", and the spacings between the porch
columns were blocked with intercolumnar walls, creating an enclosed space.
In this phase, the previously open colonnaded pronaos (front porch)
accommodated the parascaenium (backstage) of the odeion. The resulting
screened/blind façade was perfectly acceptable within the context
of Petraean and traditional Nabataean architecture. The screened/blind
intercolumniations of the rock-cut façades inside Petra were always
a reference material in their own right and may have influenced the morphology
of the large free-standing monuments. Also, one must keep in mind that
the Nabataean temples at Khirbet et-Tannur and Khirbet Edh-Dharih had half-columns
built up against their façade walls, thus having an appearance similar
to that of the Great Temple of Petra.
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