The Home Page of
Michael W. Meister
Michael W. Meister, W. Norman Brown
Professor of South Asia Studies in the
Department of the History of Art, is a specialist in the art of India and Pakistan.
He has served as chair of the Department of
South Asia Studies (SASt) and director of
Penn's South Asia Center; he is Consulting Curator,
Asian Section, University of Pennsylvania
Museum of Archaeology and Anthropology; and Faculty Curator of the
Asia Art Archive, van Pelt Library, within Penn Library's South Asia Image Collection. His research focuses on temple architecture,
of meaning, and other aspects of the
art of the Indian sub-continent.
The 3rd Annual Anne d'Harnoncourt Symposium, Exhibiting India's Art in the 21st Century, co-sponsored by the University of Pennsylvania History of Art Department and the Philadelphia Museum of Art, is scheduled for September 30-October 2, 201l. Pre-registration is required through the PMA Website. For a view of the preliminary program, check http://www.arthistory.upenn.edu/.
Students in a spring 2009 Photo-archival Seminar worked on conceptual frameworks for displaying the Allentown Art Museum's collection of Indian art. This involved both the Jaipaul collection currently in the Allentown Museum and the Koblenzer collection promised as a future gift. An exhibition, Myths, Religion and Ritual: Indian Art from the
Koblenzer Collection, drawing on this research was on display in Allentown from June 20–September 5, 2010.
Students in a fall 2007 Halpern-Rogath Curatorial Seminar researched and developed an exhibition,
Multiple Modernities: India
1905-2005, displayed in the
William P. Wood Gallery, Philadelphia Museum
of Art, from June 14-December 7, 2008, in association with an international retrospective, Rhythms
of India: The Art of Nandalal Bose (1882-1966).
An exhibition of Modern Indian Works on Paper,
Post-Independence Art from a Private Collection, was exhibited in
the Arthur Ross Gallery in 2007. Tigar By the Tail! Women Artists of India
Transforming Culture, scheduled for the Arthur Ross Gallery, fall
2008, was cancelled.
Graduate students in the
History of Art at Penn joined Professors Meister and Deborah
Klimburg-Salter and students from
the University of Vienna for a research tour of temples and monasteries in Himachal Pradesh in
June 2004. For a report on this project and its scholarly outcome, see the
article "Say No, and No, Until You Have to Say Yes" in the spring 2006
Penn Arts & Sciences Magazine.
Proceedings of the international
Architecture, coordinated by
Michael W. Meister with Deborah Thiagarajan and edited by Subashree
Krishnaswami, was published by the
DakshinaChitra of the
Image Collection under
construction at Penn has a new and expanded Website as part of Penn's on-line Image Collection.
A catalogue and exhibition of Intimate
Worlds: Masterpieces of Indian Painting from the Alvin O. Bellak
Collection documents a major gift of Indian miniature paintings to
Philadelphia Museum of
- An exhibition "Jains as Temple Worshipers:
Architecture and Planning," one result of the "Continuities of
Community Patronage" project, was on display in the
Archives at the University of Pennsylvania in conjunction with an
exhibition of Jain Art at the Philadelphia Museum of Art.
- Desert Temples: Sacred Centers of Rajasthan in Historical, Art-Historical, and Social Contexts, co-authered with L. A. Babb and John E. Cort, Jaipur: Rawat Publications, was published in 2008.
- Temples of the Indus: Essays in the Hindu Architecture of Ancient India, Leiden: Brill, was published in 2010.
- A previously unknown temple was excavated in North Kafirkot, Kyber Pakhtunkhwa, Pakistan.
- The New York Times
Cooking for the Gods exhibition, curated by Professor Meister and Pika
New York Times reported scientific evidence that heat is
emitted by India's sacred lotus.
- Beth Citron, Mandhavi Mehta, and Pushkar Sohoni joined Professors Meister, Deborah
Klimburg-Salter, and graduate students from
the University of Vienna for a study-tour of temples and monasteries in Himachal Pradesh in
June 2004, with support from the University Research Foundation and the Department of the History of
- Nachiket Chanchani has recently returned from a year's field work in the Himalayan foothills of India and comparative travels elsewhere, with fellowships from the Asian Cultural Council, Akshara Foundation, and a Goldman Grant from the History of Art Department. He has recently received a fellowship awarded by the Charles Wallace Trust and the Jawaharlal Nehru Trust to spend two months in the United Kingdom
in the coming year to continue work on the Vasanta Vilasa.
- Beth Citron completed her dissertation, "Contemporary Art in Bombay, 1965-1995," in 2009; her dissertation research in
Mumbai was supported by a
- Shaman Hatley,
a student in Religious Studies, completed his dissertation, "The Brahmayamalatantra and Early Saiva Cult of Yoginis," in 2007.
Kerin completed her dissertation, "Re-tracing Lines of Devotion: Religious Identities and Political Ideologies in Fifteenth-Sixteenth-Century Western Himalayan Wall Painting" in 2008. She has recently been a Visiting Scholar and Assistant Professor at William and Mary.
- Michael Linderman, a student in South Asia Studies, completed his dissertation, "Charity’s Venue: Representing Indian Kingship in the Monumental Pilgrim Rest Houses of the Maratha Rajas of Tanjavur, 1761-1832," in 2009.
He currently is Assistant Professor of Asian Studies,
Department of Languages, Literatures and Cultures, Seton Hall University.
- Meredith Malone wrote her M.A. thesis in
of Art on
"Sacred Icons: Secular Peddlers, Contemporary Chromolithographic Hindu God
Posters" and completed her dissertation on “Nouveau Réalisme: Performative Exhibition Strategies and the Everyday in Post-World War II France” in 2006.
- Mandhavi Mehta completed her dissertation, "The Mouse Who Would be King: Innovating Tradition in the State of Chamba," in May 2011.
She is currently teaching in Simla, Himachal Pradesh.
- John Henry Rice completed his dissertation, "Kanara Temples: Architectural Transaction on the Periphery of Empire," in 2010. He was appointed deputy curator of
Asian and Islamic art at
Virginia Museum of Fine Arts, Richmond, in 2008, and was responsible for the recent reinsallation of its new South Asian galleries.
- Pushkar Sohoni completed his dissertation, "Local Idioms and Global Designs: Architecture of the Nizam Shahs," in 2010; his research was supported by a fellowship
from the American Institute of Indian Studies.
In 2010-11 he held a post-doctoral fellowship at the University of British Columbia, Vancouver.
He has recently been appointed South Asia Bibliographer in the Van Pelt Library at the University of Pennsylvania.
Basu has been promoted to Associate Professor with tenure
in the Art
History Department at St. Lawrence University. She has published a
catalogue of the Nalin collection of Gandharan
art, Displaying Many Faces, Art and Ghandharan Identity.
- Beth Citron
has been teaching a course on "Contemporary South Asian Art" at NYU
as well as organising a series of exhibitions at the Rubin Museum, where she has accepted a position as Assistant Curator.
Ghosh, tenured Associate Professor at the University of North
Carolina, Chapel Hill, has published articles in
Res, Artibus Asiae, and Expedition.
Her manuscript, Temple
to Love: Architecture
and Devotion in Seventeenth-Century Bengal, received the
AIIS Edward Cameron Dimock, Jr. Prize in the Humanities and was
published by Indiana University Press in 2005.
Hacker holds a tenured position at the
University of British Columbia, Vancouver, and has recently
- Melissa Kerin held a Mellon/ACLS Recent Doctoral Recipients' Fellowship in 2008-09. The exhibition "A Collector's Passion," for which Melissa authored the catalogue Artful Beneficence: Selections from the David R. Nalin Himalayan Art Collection, was on display at the Rubin Museum of Art, New York City in 2009. She has been appointed to a tenure-track position as Assistant Professor, Washington and Lee University, Lexington VA, from fall 2011.
For her recent reflections on Early Himalayan Art click here.
Mason, Stella Kramrisch Curator of Indian and Himalayan Art at the
Philadelphia Museum of Art, organised the exhibition and catalogue,
Worlds: Masterpieces of Indian Painting from the Alvin O. Bellak
Collection, and more recently Kantha: The Embroidered Quilts of Bengal from the Jill and Sheldon Bonovitz Collection and the Stella Kramrisch Collection of the Philadelphia Museum of Art, for which she won
the College Art Association's 2011 Alfred H. Barr Jr. Award.
Mattai's M.A. thesis, "Reclaiming the Icon: A
Study of Space and Ideology in Contemporary Indian Art," for the
Studies Department has been completed and she has
received an MFA from the Graduate School of Fine Arts. She is currently
on the faculty of the College of Saint Benedict/Saint John's
- John Henry Rice, Associate Curator at the Virginia Museum of Art, has published an extensive study of the University of Pennsylvania Museum's remarkable Later Chalukya medieval sculpture of Brahma, in Artibus Asiae.
Sears has been appointed Assistant Professor in the Department of Art History at Yale.
She has published articles in
South Asian Studies and Art Bulletin.
Sinha, Professor and past Chair of Art History in the
Department of Art and Art
History at Mount Holyoke
College, has published Imagining
Architects: Creativity in the Religious Monuments of India with
the University of Delaware Press. He has also recently co-edited a book
Sloan taught at Moore College of Art and the
University of Pennsylvania as a graduate student
and published Adam's
House in the Black Belt, an artist's book printed by Landfall Press, then held
College. As a visiting Assistant Professor there, she organised
an exhibition The
Way I Remember Them, Paintings of Nusra Latif Kureshi. She
also helped organise an exhibition, Karkhana,
The New York Times,
visiting professor at Mount Holyoke College in 2005-06.
- Pushkar Sohoni has received a post-doctoral fellowship at the University of British Columbia, Vancouver, for 2010-11.
Zubair, whose M.A. thesis, "Gandhara Architecture and Its
Representation," was completed for South Asia Regional Studies in 1997,
returned to graduate studies at Florida State
Gods, Newark Museum Exhibition
- Documentation of Salt Range Temples,
- Early Indian Architecture:
Coomaraswamy: Early Indian Architecture and Essays in
Architectural Theory, New Delhi: Indira Gandhi National Center for the Arts; Renou, "The
Vedic House," Res:Anthropology and Aesthetics; "Notes Toward the
Study of Representations of Early Indian Architecture, Kanganhalli" in
"Early Architecture and Its Transformations: New Evidence for Vernacular
Origins for the Indian Temple," in The Temple in South Asia, ed.
Hardy, London 2007, have been published.
- Pilgrimage Temples in Rajasthan:
The J. Paul Getty Foundation Interpretive Research project,
"Continuities of Community Patronage," undertaken with John Cort and
L. A. Babb, and the thematic seminar
sponsored by the Center for the Advanced Study of India,
have led in part to two edited volumes, Ethnography and Personhood:
Notes From the Field (Jaipur 2000) and Multiple Histories:
Culture and Society in the Study of Rajasthan (Jaipur 2002). A preliminary report on results of the Getty project, "Self-Preservation and
the Life of Temples," is available on-line. A volume of essays
documenting this project, Desert
Temples: Sacred Centers of Rajasthan in Historical, Art-Historical, and
Social Contexts, Jaipur: Rawat Publications, was published in
- [ Sabbatical: AIPS symposium on"Cultural Heritage Issues in Pakistan: Archaeology, Museums and Conservation" and short-term lecture-research fellowship, Islamabad]
- ARTH 104, Introduction to the Art of South Asia
- ARTH 515, Proseminar in Indian Architecture
- [accumulated course relief to complete Temples of the Indus]
- ARTH 599/SAST 516, Workshop on Jaipaul and Koblenzer Collections of Indian Art, Allentown Museum of Art
- [research leave]
- Social, Symbolic, and Formal Origins of the Indian
Temple, Institut fur Kunstgeschichte,Universitat Wien,
30 April-7 June, 2008
515 (SAST 515), Aspects of Indian Architecture: Social, Symbolic, and
Formal Origins of the Indian Temple
- [Fall 04-Spring 05: sabbatical research]
104 (SARS 201/SARS501),
Introduction to Art in South Asia
- ARTH 599, Research Seminar, South Asia Art Archive
ARTH 212, Cities and Temples in Ancient India
ARTH 514, Aspects of Indian Art: Workshop in Indian
ARTH 212, Cities and Temples in Ancient India
ARTH 301, Living Monuments: India
ARTH 711, Creation of an Iconic Sculpture
711, Seminar in Indian Art: Sculpture
104, Introduction to Asian Art: South and Southeast Asia
515, Proseminar in Indian Architecture
500-level Undergraduate/Graduate Proseminars (topics vary from
year to year):
- ARTH 009,
Writing About Asian Art
- ARTH 104,
Introduction to Asian Art: South and Southeast Asia (1996)
Seminars (topics vary from year to year):
Essays Available On-Line
[Please also check JSTOR]
illustrations for Man and Man-Lion:
The Philadelphia Narasimha (Artibus Asiae 56 [1996.3]:
South-Asia conference lecture given by Professor Meister on "Cosmos in
a Teacup" with text and
images attached. The final published version, "The Unity and
Gravity of an Elemental Architecture," is below.
Self Preservation and the Life of Temples, presented at the
symposium, Charleston, S.C., provides a preliminary report on the
Community Patronage project.
Temples Along the Indus, Expedition,
38.3 (1996): 41-54. [pdf]
Discovery of a New Temple on the Indus, Expedition
42.1 (2000): 37-46.
The Unity and Gravity of
an Elemental Architecture, from Prakrti: The Integral Vision,
5 vols., ed. Kapila Vatsyayan; vol. 3, The Agamic Tradition and the
Arts, ed. Bettina Baumer. New Delhi: D. K. Printworld, 1995.
Vedic House', Res, Anthropology and
Aesthetics 34 (1998): 143-61. (In this format this lacks endnotes; a complete version is available from JSTOR)
last modified: 29/June/2011 Michael W. Meister,