PETER D. GAFFNEY CV
PETER D. GAFFNEY CV
PETER D. GAFFNEY CV
PETER D. GAFFNEY CV PETER D. GAFFNEY CV PETER D. GAFFNEY CV
PETER D. GAFFNEY CV
PETER D. GAFFNEY CV
PETER D. GAFFNEY CV
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BIO
CURRICULUM VITAE
               

RESEARCH
CONFERENCES
TEACHING PHILOSOPHY
SLA TEACHING MATERIALS
CINEMA
DESIGN
ROTOGALLERY
 














EDUCATION






APPOINTMENTS
AND
FELLOWSHIPS

PAPERS
AND
CONFERENCES







TEACHING
AND
RESEARCH
INTERESTS,
LANGUAGES


PROFESSIONAL
ORGANIZATIONS
AND
ACADEMIC
SERVICE











DESIGN




REFERENCES
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A COPY OF CV
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EDUCATION



JUNE 2006
Ph.D., University of Pennsylvania
Dissertation: “Demiurgic Machines: The Mechanics of the Dada Text.”
The thesis explores the genealogy of modernity as a set of aesthetic and cultural practices exemplified by Dada and its avatars and determined by the metaphorical system of the machine. Examining the works of Roussel, Breton, Duchamp and of other key artistic and literary figures from the period 1912-1922, I consider the way machines provide a working model for cultural production, one that involves a “demiurgic” organization of human thought and agency at the level of representation.

Director: Prof. Jean-Michel Rabaté
MAY 2000
M.A. in Comparative Literature and Literary Theory,
University of Pennsylvania
JUNE 1995
B.A. in English With Honors, Stanford University
1993-1994
Oxford University (Stanford Study Abroad)
1988
Parson School of Design, Summer Program
   


APPOINTMENTS
AND FELLOWSHIPS



  ROMANCE LANGUAGE APPOINTMENTS
2004-2005 Department of Romance Languages, University of Pennsylvania
Research Assistant for Professor Joan DeJean
2003-2004
Department of Romance Languages, University of Pennsylvania
Instructor, French 130 (third-semester French), French 121 (second-semester French)
2000-2001
Department of Romance Languages, University of Pennsylvania
Instructor, Italian 110 (1st-semester Italian)
 
OTHER APPOINTMENTS
2004 Program in Comparative Literature and Literary Theory, University of Pennsylvania
Instructor, Comparative Literature 250: “Detective Fiction & Film Noir”
2002-2003
2002-2003 U.F.R. d’études anglo-américaines, Université Paris X Nanterre
Instructor, English Language & Phonetics, Advanced Level
2002
Department of Slavic Languages & Literatures, University of Pennsylvania
TA, Russian 190: “Russian Origins of Terrorism”
 
HONORS AND FELLOWSHIPS
1999–Present William Penn Fellowship, University of Pennsylvania
June 1995
Nomination for Best Senior Thesis, Stanford University
1988
Parson School of Design Study Grant
PAPERS AND CONFERENCES



  “Purgative or Purgatory? Dada Machine Art and the Politics of the Aura."
International Conference on the Arts in Society
Edinburgh, Scotland, August 15-18, 2006.
  “Mapping the Machinic Transcendental: Dada and Deleuze.”
The Northeast Modern Language Association (NEMLA) 2006 Convention
Philadelphia, March 2-5, 2006.
Chair of Panel, “The Machine and the Modern Subject"
NEMLA 2006 Convention, Philadelphia, March 2-5, 2006.
“Between Mechanism and the Moral Law: Descartes’ Writings on Man-the-Machine.”
The Group for Early Modern Cultural Studies (GEMCS) 2005 Conference
San Antonio, December 1-4, 2005
  “Kafka’s Prague: Memory and Displacement.” Colloquium: “From the Archive to the Cinema and Beyond: New Perspectives on Franz Kafka.” Sponsored by the School of Arts and Sciences and Department of Germanic Languages and Literature, University of Pennsylania, October 20, 2000
TEACHING AND RESEARCH
INTERESTS, LANGUAGES



 
TEACHING AND RESEARCH INTERESTS
  French Language and Literature
New York Dada and European Avant-Garde
Late Modernism, Beckett and the Theater of the Absurd
Cultural Studies: History of Technology, Gender, Nationalism and War
Word and Image, Cinema Studies, Film Noir
Literary Theory
Continental Philosophy and the Enlightenment
 
LANGUAGES
  French (native fluency)
Spanish (superior)
Italian (advanced)
Czech (intermediate)
PROFESSIONAL ORGANIZATIONS
AND ACADEMIC SERVICE




MEMBERSHIP IN PROFESSIONAL ORGANIZATIONS
  Modern Language Association (MLA)
  The Northeast Modern Language Association (NEMLA)
  The Group for Early Modern Cultural Studies (GEMCS)
 
ACADEMIC SERVICE
2004-Present Webmaster, Program in Comparative Literature and Literary Theory, University of
Pennsylvania
2005-2006 Director of the Film Series for Graduate Employees Together University of Pennsylvania (GET-UP), and of the GET-UP Film Festival “Where Do We Stand?” November 9-11, 2006
2005-2006 Lit Committee Chair, GET-UP
DESIGN



 
PROFESSIONAL EXPERIENCE
1998-1999
Gyroscopic Design & Consulting, Seattle, Los Angeles
Partner and Creative Director
1996-1998
Leo Burnett Advertising, Prague, Czech Republic
Art Director
 
WEB DESIGN PROJECTS
GET-UP Film Project
http://getuponline.org/filmproject
  Program in Comparative Literature & Literary Theory, University of Pennsylvania
http://ccat.sas.upenn.edu/CompLit
  Gyroscopic Design & Consulting
http://www.gyroscopic.com [no longer operational]
REFERENCES



  Dr. Jean-Michel Rabaté, Professor of English and Comparative Literature, University of Pennsylvania, jmrabate@english.upenn.edu
Dr. Gerry Prince, Professor of Romance Languages, University of Pennsylvania, gerry@babel.ling.upenn.edu
Dr. Caroline Weber, Associate Professor of French (Barnard College), Columbia University, cw2263@columbia.edu
  Dr. Kate McMahon, Director of the Language Program , University of Pennsylvania, kmcmahon@ccat.sas.upenn.edu
  Dr. Rita Copeland, Professor of Classical Studies and Chair of Comparative Literature, University of Pennsylvania, rcopelan@sas.upenn.edu