-2019-

L. Downing, " Through The Camera’s Eye: Performing Pictures in Babette Mangolte's The Camera: Je/La Caméra: I " (Advisor, K. Silverman)


T. Williams, " A Space to Appear, A Space to Tarry: Plurality and the Nocturnal Visual Politics of Lingering in Michael Abramson’s Black Night Clubs on Chicago’s South Side Series" (Advisor, K. Silverman)

K. Bong,"Michelangelo's Peducci: Painter as Architect, Painted Architecture, and Architectural Painting" (Advisor, D. Kim)

E. Lasry, "“Framing Fatherhood: Berthe Morisot’s Images of Paternity” (Advisor, A. Dombrowski)

 

-2018-

F. Richman, "Architecture of the Everyday: Guild House by Robert Venturi and Denise Scott Brown" (Advisor, D. Brownlee)

R. Bernhaut, "Five-Faced SIVA's Four-Faced Temples: An Examination of the Relation and Significance of the Temples at Masrur and Bajaura in the Western Himalaya" (Advisor, M. Meister)

A. Del Conte, "Preserved in Portraits: Tracing the Artistic Practice of Henrietta De Beaulieu Dering Johnston, 1704-1726" (Advisor, G. Shaw)

O. Dudnik, "An Early Dada Artist: Francis Picabia's "Impressionist" Period" (Advisor, A. Dombrowski)

J. Hough, "Particles Shared: Photographic Source and Surface in the Recent Works of Vija Celmins" (Advisor, K. Silverman)

R. Mize, "Intermedial Impulses in Peter Frederick Rothermel's Battle of Gettysburg (1870)" (Advisor, M. Leja)

 

-2017-

N. Adachi, "Constructing Artistic Japan: Making and Viewing the Image of Japan in Yokohama Photography" (Advisor, J. Davis)

J. Barton, "Architectured Painting: Le Corbusier's Purist Vision of Space, 1918-1925" (Advisor, C. Poggi)

M. Boomer, "Sanctified Microcosms: The Mashhad of Sayyida Ruqayya and Medieval Cairene Devotional Space" (Advisor, R. Holod)

A. Stinebring, "Virtuosic Ugliness and the Profanely Sacred: Hendrick ter Brugghen's Adoration of the Magi" (Advisor, L. Silver)

P. Kim. "Making Digital Vision: Sight and Ritual at Balalyk-Tepe (7th - 8th c CE) (Advisor, R. Holod)

L. Custer,  "Resources of Revival: Histories of Art and Nation in Edward Lamson Henry's The Lafayette Reception at Cliveden" (Advisor, G. Shaw)

F. Ferrari, "Visions in the Crowd: Gendering the Masses in Interwar German Art" (Advisor, C. Poggi)

 

-2016-

E. Allen, "Inscribing the Hills with Victory: Authorship and Community in the Tropaeum Traiani at Adamclisi"  (Advisor, A. Kuttner)

H. Chang, "Female Waitresses, Dance Hall Women, and the Cosmopolitan Roots of Modern Agency: The Visual Culture of Korea's Cafe Waitresses and New York's Dance Hall Women" (Advisor, G. Shaw)

J. Dreskin, "Making by Breaking: Faciality and Picasso's Mademoiselle Leonie" (Advisor, C. Poggi)

K. Gill, "Figures of Speech: Silence and Noise in Lawrence Abu Hamdan's Audio Forensics" (Advisor, C. Poggi)

 

-2015-

S. Danhakl, "Authenticity, Artifice, and Fraud: Artistic Humbuggery in John Haberle's Trompe L'Oeil Money Paintings" (Advisor, M. Leja)

G. Stevenson , "A Lithuanian Tailor-Made for the Grande Armee: Antoine-Jean Gros' Eylau, the Enlightenment Gaze, and the Slavic "Other" (Advisor, A. Dombrowski)

 

-2014-

M. Antonucci, "Italy at the Venice Biennale of 1976: Curating for the Post-1968" (Advisor, C. Poggi)

I. Choi, "Deconstructing the Discourse on Contemporary Chinese Art" (Advisor, J. Davis)

M. Donnelly, "Escapes into Iowa: Grant Wood's Agricultural Playgrounds, 1930-1936" (Advisor, M. Leja)

A. Kauffman, "Robert Raushenberg and the Extended Genesis of Erased de Kooning Drawing" (Advisor, C. Poggi)

J. Vaum, "Kerry James Marshall's Invisible Man" (Advisor, G. Shaw)

 

-2013-

J. Sperling, "The Echo of Encounter: Discovery Narratives in the History of American Popular Art, 1935-2013" (Advisor, G. Shaw)

S. Hagan, "Rubens's Nova Roma:  Recovering Heroes from an Antique Past" (Advisor:  L. Silver)

M. Isgro, "INTERIOR EXPOSURES:  Women and the Practice of Home Portraiture, 1885-1920" (Advisor, M. Leja)

A. Murphy, "Manuel Panselinos and the Quest for Artistic Personality in Buzantium" (Advisor, R. Ousterhout)

 

-2012-

H. Hughes, "Istanbul a La Mode:  Osman Hamdi Bey and the Modern Ottoman Woman" (Advisor:  R. Holod)

E. Neumeier, "An Anatolian Mont Sainte-Victoire:  French Painting and Turkish Modernism" (Advisor:  A. Dombrowski)

E. Warner, "Action Painting as Art Criticism:  Rereading Harold Rosenberg On Art" (Advisor:  M. Leja)

R. DeArmas, "Warrior Saints Defending Constantinople" (Advisor:  R. Ousterhout)

 

-2011-

S. D'Addio, "Cruel Intentions? Charles V's Encounter with the Concistoro Frescoes of Domenico Beccafumi" (Advisor:  M. Cole)

C. Ickes, "Imagining Pocahontas:  Lessons on Legible Time and timelessness in British Portraiture" (Advisor:  G. Shaw)

J. Kenmotsu, "Sites and Sights of Pleasure in the Eastern Capital:  Poetry, Place, and Patronage in Suzuki Harunobu’s Zashiki hakkei and Fūryū zashiki hakkei" (Advisor:  J. Davis)

E. Newman, "Noise Annoys:  The Unknown Masterpiece and the Fate of the Artist" (Advisor:  K. Silverman)

 

-2010-

F. Marzullo, "Between Hymen and Diana:  Allusion and Eccentricity in Charles Willson Peale’s  Mary White Morris" (Advisor:  M. Leja)

A. Venator, "A Woman Who Needs No Introduction:  Yoko Ono" (Advisor:  C. Poggi)

L. Baradel, "Defending The Cabin: American Identity in D.W. Griffith’s Early Westerns" (Advisor:  K. Beckman)

R. Erickson, "Animal-Borne Imaging:  Embodied Point-of-View and the Ethics of Identification" (Advisor:  K. Beckman)

C. Robbins, "The Critical Reception of the Work of Frank Kune, 1950-1954: The Black and White Abstractions and the Calligraphy Metaphor" (Advisor:  M. Leja)