ARTH285 - IMPRESSIONISM

Impressionism opened the pictorial field to light, perception, science, modernity, bourgeois leisure and, famously, the material qualities of painting itself. This course will survey the movement's major contexts and proponents-Magnet, Monet, Morisot, Cezanne, Guaguin, Van Gogh, Rodin-from its origins in the 1860s to its demise in the 1890s, as well as its subsequent adaptations throughout the world until WWI. We will pay particular attention to Impressionsim's critical reception and the historical conditions, which allowed one nation, France, to claim the emergence of early Modernism so firmly for itself. Questions to be addressed include: how can an art of vision and light figure the complexities of history and politics, and especially the revolutions that marked the period? What are the gendered and sexual politics of Impressionsm's obsession with the nude female body? How did the invention of the new technologies and media effect the development of modern art? Throughout the course, we will also analyze the effects the rapidly changing social and cultural fabric of Paris had on artistic developments. Arguable, Paris was the "capital of the nineteenth century," and it is here where most artistic innovation of the time took place. None-the-less, we will look outside of France's borders with some frequency, especially to Germany and Britain.
Section 401 - LEC
MW 0200PM-0300PM
DOMBROWSKI, ANDRE
MEYERSON HALL B3
  • ARTH685401
Section 402 - REC
CANCELED
    Section 403 - REC
    T 1230PM-0130PM
    ICKES, CHARLOTTE
      Section 404 - REC
      W 0330PM-0430PM
      WARNER, EMILY S
      JAFFE BUILDING B17
        Section 405 - REC
        CANCELED
        ICKES, CHARLOTTE
        WARNER, EMILY S
          Section 406 - REC
          R 1200PM-0100PM
          ICKES, CHARLOTTE
          JAFFE BUILDING 104
            Section 407 - REC
            F 0200PM-0300PM
            ICKES, CHARLOTTE
            WARNER, EMILY S