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André Dombrowski’s research and teaching center on the arts and material cultures of France and Germany, and their empires, in the mid to late nineteenth century. He is particularly concerned with the social and intellectual rationales behind the emergence of avant-garde painting in the 1860s to 1880s, including Impressionism. Committed to interdisciplinary inquiry, he places the development of modern art firmly within the histories of technology, science, politics, sexuality, and psychology. He has written books and articles on such crucial artists of the period as Paul Cézanne, Édouard Manet, Claude Monet, Edgar Degas, and Adolf von Menzel, to name but a few. He has also published on the political imagery surrounding the Dreyfus Affair and Second Empire decorative arts.

Winner of the Phillips Book Prize from the Center for the Study of Modern Art at the Phillips Collection in Washington DC, Prof. Dombrowski is the author of Cézanne, Murder, and Modern Life (University of California Press, 2013). The book analyzes Cézanne’s early scenes of murder and sexual violence through the lens of pre-Freudian definitions of desire and instinct. He is currently completing two new book projects: the first, tentatively entitled Instants, Moments, Minutes: Monet and the Industrialization of Time, studies the relation between the impressionist “instant” and the histories of modern time-keeping (chapters will focus, for instance, on “reaction time” and the birth of Impressionism; Impressionism’s “now time” and “labor time;” as well as the advent of “legal” and “universal” time in the 1880s and their effect on the serried order of Monet’s later work). The second is a study that will situate the formal innovations and academic rule breaking of Édouard Manet’s major 1860s paintings within the Second Empire’s legal and juridical cultures.

Prof. Dombrowski is also currently the editor of the forthcoming (2019) Wiley Blackwell Companion to Impressionism, which will include about thirty new contributions from the major scholars in the field, who will place this crucial modernist movement in a global context, and has co-edited, with Hollis Clayson, the volume Is Paris Still the Capital of the Nineteenth Century? Essays on Art and Modernity, 1850-1900 (Routledge, 2016). He has furthermore organized several conferences, including an event in St. Petersburg in 2010 called Russia and the Global Cézanne Effect, and, in 2017-18, he will teach a curatorial seminar on the concepts of innovation and globalization in the 19th and early 20th-century world’s fairs that will result in an exhibition at Penn’s Arthur Ross Gallery.

Prof. Dombrowski joined the history of art faculty at Penn in 2008, after receiving his Ph.D. from UC Berkeley in 2006, and holds an M.A. from the University of Hamburg and another from London’s Courtauld Institute of Art. He taught at Smith College from 2005 to 2008. A predoctoral fellow at CASVA, a DAAD fellow, a recipient of a two-year fellowship from the Gerda Henkel Stiftung in Düsseldorf, Professor Dombrowski was awarded a J. Paul Getty Postdoctoral Fellowship for 2008-09 and membership in the School of Historical Studies, Institute for Advanced Study in Princeton for 2012-13. At the University of Pennsylvania, Prof. Dombrowski currently serves as the chair of the advisory committee to Penn’s Arthur Ross Gallery and convenes the LGBTQA faculty diversity working group. He is also a core faculty member of the Gender, Sexuality and Women’s Studies Program and has a secondary appointment in the Department of Germanic Literatures and Languages.

 

Selected Publications

 Books

Cézanne, Murder, and Modern Life, The University of California Press, 2013
Winner of the Phillips Book Prize

 

Edited volumes

 

Is Paris Still the Capital of the Nineteenth Century? Essays on Art and Modernity, 1850-1900, co-edited with Hollis Clayson, Routledge, 2016

 

The Image Affair: Dreyfus in the Media, 1894-1906, editor, exh. cat. University of Pennsylvania Libraries, Kislak Center, Philadelphia, 2015 (Winner, 2016 Katharine Kyes Leab and Daniel J. Leab “American Book Prices Current” Exhibition Award, Association of College and Research Libraries, Rare Books and Manuscripts Section, American Library Association)

 

Selected Essays

 

“Living on Manet’s Balcony, or the Right to Privacy,” in eds. Hollis Clayson and André Dombrowski, Is Paris Still the Capital of the Nineteenth Century? Essays on Art and Modernity, 1850-1900, Routledge, 2016, 235-56
 
“Dr. Evans and the Decorative Arts of His Time,” “Dr. Evans’s Manets,” “Empress Eugénie and Dr. Evans’s Carriage,” in ed. Lynn Marsden-Atlass, Courtly Treasures: The Collection of Thomas W. Evans, Surgeon Dentist to Napoléon III, exh. cat. Arthur Ross Gallery, University of Pennsylvania, Philadelphia, 2015, 29-38, 59-67, 85-95
 
“Dreyfus, Paper Toys, and Participatory Politics,” in ed. André Dombrowski, The Image Affair: Dreyfus in the Media, 1894-1906, exh. cat. University of Pennsylvania Libraries, Philadelphia, 2015, 10-22, 111-21
 
“Instants, Moments, Minutes: Impressionism and the Industrialization of Time,” in ed. Felix Krämer, Monet and the Birth of Impressionism, exh. cat. Städel Museum, Frankfurt am Main, 2015, 36-45
 
"The Classical Nude and the Making of Queer History—Eighteenth and Nineteenth Centuries,” in ed. Jonathan David Katz, Classical Nudes and the Making of Queer History, exh. cat. Leslie-Lohman Museum of Gay and Lesbian Art, New York, 2014, 42-59
 
“Brick by Brick: Cézanne’s Abandoned House near Aix-en-Provence,” in ed. Heather MacDonald, Impressionist and Post-Impressionist Art at the Dallas Museum of Art: The Richard R. Brettell Lecture Series (New Haven and London: Yale University Press, 2013), 84-95
 
“The Cut and Shuffle: Card Playing in Cézanne’s Card Players,” in ed. Satish Padiyar, Modernist Games: Cézanne and His Card Players, Courtauld Institute of Art Research Forum online book, 2013, 34-67
 
 
“Cézanne, Manet, and the Portraits of Zola," in eds. Temma Balducci, Heather Jensen and Pamela Warner, Interior Portraiture and Masculine Identity in France, 1780-1914 (Farnham: Ashgate, 2011), 101-19
 
“Wilhelm Leibl in Paris: International Realism during the Late Second Empire,” in eds. Christian Fuhrmeister, Hubertus Kohle and Veerle Thielemans, American Artists in Munich: Artistic Migration and Cultural Exchange Processes (Munich: Deutscher Kunstverlag, 2009), 135-52
 
“The Untimely Classicism of Hans von Marées,” in eds. Vojtech Jirat-Wasiutynski and Anne Dymond, Modern Art and the Idea of the  Mediterranean (Toronto, Buffalo and London: University of Toronto Press, 2007), 84-115
 
“The Emperor’s Last Clothes: Cézanne, Fashion and l’année terrible,” in special issue on Cézanne of Burlington Magazine, vol. 148 (September 2006): 586-94

 

Courses Taught

ARTH 102 (002): Renaissance to Contemporary, Introduction to Western Art, 1400-Present, co-taught introductory lecture

VLST 101: Eye, Mind, and Image, co-taught introductory lecture

ARTH 274/674 (284/684): Revolution to Realism: European Art 1770-1860, lecture

ARTH 275/675 (285/685): Impressionism, European Art in a Global Context, 1860-1900, lecture

ARTH 277/677: The Rise of Modernity: The Arts of the 19th Century, lecture, co-taught with Prof. David Brownlee

ARTH 301/375: Manet’s Paris in a Global Context, undergraduate seminar

ARTH 501: Image & Politics, c. 1900: The Dreyfus Affair in Representation, curatorial seminar

ARTH 585: Image and Theory of Revolution, pro-seminar in nineteenth-century art

ARTH 701: Historiography & Methods in the History of Art, graduate seminar

ARTH 775: Art and Time in 19th-Century Painting, graduate seminar in nineteenth-century art

ARTH 775: Monet/Impressionism: New Approaches, graduate seminar in nineteenth-century art

ARTH 784: Cézanne and the Philosophies of Modernism, graduate seminar in nineteenth-century art

Affiliations

Field of Study