André Dombrowski

André Dombrowski’s research and teaching center on the arts and material cultures of France and Germany, and their empires, in the mid to late nineteenth century. He is particularly concerned with the social and intellectual rationales behind the emergence of avant-garde painting in the 1860s to 1880s, including Impressionism. Committed to interdisciplinary inquiry, he places the development of modern art firmly within the histories of technology, science, politics, sexuality, and psychology. He has written books and articles on such crucial artists of the period as Paul Cézanne, Édouard Manet, Claude Monet, Edgar Degas, and Adolf von Menzel, to name but a few.


History of Art

Executive Board Term End


Faculty Research Field(s)

queer studies and history of feminism, esp. within 19th century visual culture in Europe