Karen Redrobe (formerly Beckman) is currently working on a short book entitled Animation and the Contemporary Art of War, as well as an edited volume entitled Animating Film Theory, which will explore the challenges animation poses for the discourse of film theory. Prior publications include: Vanishing Women: Magic, Film and Feminism, which examines the relationship between the elusive female body and the medium of film; Crash: Cinema and the Politics of Speed and Stasis which includes chapters on early cinema, slapstick comedy, educational safety films, Warhol, and contemporary disaster films.

Executive Board Term End