This seminar will examine the role of sound in shaping modern urban spaces and life. While music plays a large part in the sounds of the city, we will focus on soundscapes more broadly. From the late 19th century through the present, and in geographies spanning from Paris to Philadelphia, we will explore the making, meaning, and experience of sound for varied populations; the politics of sound as an instrument of power; and the policies of noise regulation. As an interdisciplinary seminar supported by the Mellon Humanities+Urbanism+Design Initiative, the course will bring together students and faculty from diverse fields to probe the subject of urban sound through the lenses of both theory and practice. We will read across a wide variety of disciplines, including urban and environmental history, sound studies, urban geography, the history of sensation, musicology, anthropology, and critical theory. We will engage with sound archives, installations, films, and photographs, and also have an opportunity to make field recordings of our own. The format of the final project is flexible and could include a research paper, theoretical essay, visualizations,GIS mapping, sonic compositions, short film, or other types of media.
Section 301 - SEM

T 0130PM-0430PM