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PERSONAL BIO
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Peter Gaffney
is a native of Seattle, WA, and has also lived in Japan, Italy,
Oxford, Prague and Paris. He now resides in Philadelphia, where
he is completing a Ph.D. in Comparative Literature and Literary
Theory at the University of Pennsylvania (graduating in May 2006).
His interests include Deleuze, Lacan, Kant, Spinoza, and Descartes,
as well as avant-garde art and literature, French cultural studies
and the history of technology.
Before beginning
graduate work, Peter was Creative Director and partner at Gyroscopic
Design & Consulting, a design agency based in Seattle and Los
Angeles, and was Art Director for Leo Burnett Prague from 1996 to
1998.
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ACADEMIC HISTORY
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CURRENT PROJECTS AND ACADEMIC WORK |
2000-Present
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Peter
is currently editing a collection of essays under the working title
'Deleuze, Science and the Force of the Virtual'. He has just finished
the dissertation 'Demiurgic Machines: The Mechanics of New York Dada'
under the supervision of Professor Jean-Michel Rabaté. The
thesis explores the genealogy of modernity as a set of aesthetic and
cultural practices heavily invested in the metaphorical system of
the machine. Specific topics include: machine art; automatism and
'écriture automatique'; scientific discourse in Duchamp's
'Boîte verte'; Rousselian mechanics of desire and the
invention of the 'machine célibataire'; intersubjective
relations in Surrealism and de Sade; the technology of cinema; Jarry's
cyborg, and other dreams of a mechanomorphic body. I am particularly
interested in the way machines provide a working model for Modernist
and specifically Dadaist theories of artistic production,
suggesting a 'demiurgic' reorganization of human thought and agency
at the level of representation. |
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PAST ACADEMIC HISTORY |
1988-1999
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During
his undergraduate studies at Stanford University (B.A. in English
with Honors, 1995), Peter spent a year at Magdalen College, Oxford
(1993-4), working with Professor Alun Jones of St. John's College.
His research at Oxford on the correspondences between Proust's A
la recherche du temps perdu and Beckett's prose work led to the
thesis ('Malone's Donkey: Beckett's Proustian Complex'), which was
nominated for Best Senior Honors Thesis by the Stanford Honors Program
Faculty in 1995. Previous to his undergraduate studies, Peter attended
college courses at Parson's School of Design, New York, on a summer
fellowship (1988).
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